thatfangirl's Journal -- Day [entries|friends|calendar]
thatfangirl

[ website | Fangirl.nu ]
[ userinfo | insanejournal userinfo ]
[ calendar | insanejournal calendar ]

The post that kept growing [13 Jul 2009|04:21am]
I spent some QT at DeviantArt today, and realized that I haven't done a Rachel-goes-to-DeviantArt post in two years! A long time ago, I bought the first Queen and Country TPB, but I ended up selling it because I didn't like the art. Now I'm ready to give the series another chance, simply because Rachel keeps pimping it. Recently, I found out that she likes Ex Machina, so now I've got to catch up on that (I've only read through #29). And in the same interview, she rec'd Identity Crisis, so I might have read that, too. (Life so hard.)

I've been watching a lot of TV lately. I'd like to thank [info]bessemerprocess for convincing me to give The Unusuals a try. I devoured it, and it is easily one of the best ensemble dramas I've ever seen. As much as I like Nathan Fillion, it is a goddamn crime that Castle was renewed but The Unusuals was not. My issues with Castle, let me tell you them:

Kate Beckett is not a real character; she is a glorified plot device. She matters in one way: she resists Castle's charms. Unless the writers make Kate believable as something other than a reluctant romantic interest (and having her come to work looking like a raccoon and execute arrest warrants in heels does not make her believable as a cop), the series is untenable. Barring an early cancellation, one day she will cease to be reluctant, and how can you write about a couple when one member is defined by not being a part of said couple? But more than that, the prospect of her relinquishing her reluctance disturbs me. Let me quote this fantastic review of It Happened One Night:
In the Platonic ideal of this type of romantic comedy, two likeable (yet flawed) people come together and clash, but then each of them grows a little, straightens out their flaws while preserving key elements of their individual selves, and learns something key about the other person, whereupon both of them can then meet in the middle, in a conclusion that's essentially egalitarian in spirit. It Happened One Night, however, is not that film....[T]he only character who really has to change her tune is Ellie. There is no meeting in the middle: she's the one who has to "come around" to liking Peter, not vice versa.
Castle is impetuous during investigations, but he keeps being rewarded for this, so it's not as if he has to modify that behavior. Furthermore, we are shown early on, via his relationship with his family, that he is a good man. What, then, is left for him to change? No, the only one who has to change is Kate, and I am not interested in watching her will being worn down to accommodate his.

I've also been watching Boston Legal. I've been wanting to read [info]somniesperus' crossover with DWP, and now I want to cap Candice Bergen when she 's crackverse age and maybe make manips oh help me. ANYWAY, Boston Legal is rather pathetic in comparison to The Unusuals: despite the large cast, so far (through 1x09 "A Greater Good") it only has two real characters, Alan Shore and Denny Crane. The fact that all three female characters either are, have been, or want to sleep with Alan is...execrable. If Candice is not awesome (I haven't gotten to her introduction yet), I will die.

More recommended free MP3s from Amazon:
post comment

navigation
[ viewing | July 13th, 2009 ]
[ go | previous day|next day ]